Archives For November 30, 1999

Review Hang Over

DebE —  November 7, 2013 — 2 Comments

… When you read a really awesome review and you just keep going back to pinch yourself and remind yourself that the reviewer was talking about YOUR BOOK!

For realz.

This:

Joe Abercrombie iin Style

is my favourite line from a review ever (so far… shut up).*

Because I am a fan.

Do I set out to write like Joe Abercrombie? Well, maybe, because I love his work and I want to love my work (but I don’t know if that is ever really possible for an author to truly LURVE their own output… because we can always see what it was meant to be). I’ve nearly finished reading all his currently published works… then I will be sad… but more is coming out, so I will be happy (yay!).

Anyway… in another sense I don’t set out to write like Mr. Abercrombie, because, well, I like sexual tension and romance in stories, and so I write stories with these elements appearing fairly central to the overall plot. It often makes me wonder if I’ll find much of an audience. I mean, some elements of my stories probably appeal to those who like dark, gritty themes and violence and whatnot, while other aspects of my stories will appeal to those who dig romance and sex… Is there an audience for both? Well… there’s me (o: I’m not entirely unique… Somewhere out there, are others like me, and just maybe (please!) they feel like reading something I write….

And so… I continue to write… Just in case.

 

* my deepest apologies to my other reviewers, because I TOTALLY dig your work, too… it’s just… it’s just… yeah, I can’t dig myself out of this one. But don’t get me wrong, I’ve loved plenty of reviews – the passion with which some people can talk about my book… wow… just wow. Y’all are awesome.

Out of the Dark

Contemporary Gothic Art

Edited by Hazel Butler

Out of the Dark Caover Containing over two hundred images, and contributions from thirty-two artists from around the world, Out of the Dark is a veritable cornucopia of Gothic delight. Fifteen chapters, each packed with vibrant images, and pithy descriptions, showcase some of Gothic Art’s favourite themes, from Death to Lovers, Hauntings to Winter, and Lolitas to Lost Boys.

Many images are accompanied by commentaries from the artists, detailing their inspirations and methods, and why certain pieces mean so much to them.

The central feature of the book is a sixteen page spread on favourite Alternative model, Maria Amanda Schaub, including a biography, a selection of her favourite art pieces, and why she loves them so much.

For further details and ordering information, email Hazel.

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.Now to wet your taste buds, here are a few examples of what you’ll find inside:

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My Deadly Lolita by Hazel Butler

My Deadly Lolita

My Deadly Lolita, by Hazel Butler

Hazel Butler is an archaeologist, author and artist, currently in the final year of her PhD. She enjoys a wide range of art and fiction, but especially loves the Gothic, Steampunk and Fantasy genres.
http://aiyana031547.deviantart.com/

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Lost in Thought

Lost in Thought

Lost In Thought, by Debra Mason

Debra Mason is a digital artist working out of Toronto, Canada. She’s been doing art for as long as she could hold a crayon, but it was when she discovered Photoshop several years ago that her creativity really took off.

www.shorra.com

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You and I, by Jessica Dueck

You and I

You and I

Jessica Dueck is a digital and design artist born in Asuncion, Paraguay, with a German/Canadian father and a Paraguayan mother. She’s the middle of three siblings. She started digital art at 15. Most of the themes and colours she creates come from dreams or nightmares she has, many times after reading a book or watching a film, waking up in the middle of the night to write down what she dreamed before she forgets. She loves to read novels by Christine Feehan. She is also a photographer and dress designer.

www.jessicadueck.com/


Salmonella Dub – For the Love Of It (not the version I was thinking of, but it will do)

Why do you write?

When I published my post the other say, somewhat jokingly bemoaning my as yet undiscoveredness, I did get a couple of reminders that we should be writing because we love it, not in order to get famous or (heaven forbid) rich.

Well, I just want to take a moment to be honest… Continue Reading…

. . . if you can call me ranting to myself in a blog a “discussion”. Don’t look at me like that. You probably like writing, too. Yes. Exactly.

Right, several weeks ago, I talked about cover art. Today, I read this rather interesting article about going indie. It’s not the first time that I have seen mention of the author losing power regarding cover design (among other things) and I think it’s about time I threw my two cents into the pot. You never know, I might win this hand. (I’ve had a very long day with the toddler and am extremely tired, please excuse what passes for humour this evening). Anyway, I have lots and lots of words to write in my WiP, so I will be brief, and get to the point (Ha!).

One of the example covers I used was the one for Brent Weeks‘ The Black Prism (Book 1 of the Lightbringer Series). Well, now the cover for The Blinding Knife (Book 2 of the Lightbringer Series) has been revealed. I’m really looking forward to this book. I loved the first and I’ve read the three chapters available online. I’m really looking forward to this book. But, you know what? The cover sucks. There, I said it.

And, I honestly wonder how truthful Mr Weeks is being when he goes on about how great it is. Because, honestly? He’s had good covers. He’s had great covers – as I showed in my last post.

So, I picked up The Black Prism after seeing this on the bookstore shelves:

Cover for The Black Prism

The Black Prism – sexiness in print

But, if it had looked something like this: Continue Reading…

What can be achieved

DebE —  January 26, 2012 — 2 Comments

After procrastinating (although, one could argue that the music purchasing – I’m a member of an online music voting group – and software buying – I’d nearly reached the end of my free trial period with Scrivener, and I like it – was necessary), I finally set about doing some writing during my son’s late morning sleep today. He’s due to wake soon, so I’m going type this note quickly. I learned something the other day – yesterday, in fact … No, I’ll say I learned it now, actually.

See, during my procrastinating yesterday, I visited Elmore Leonard’s website and looked up some of his stuff. I came across a short interview with him, in which he said that he didn’t always know how a scene was going to go, he just knew its purpose, and then he would write it. He also mentioned that characters had to talk to him or they were liable to get killed off, but that’s another matter. It came as a breath of fresh air to me. When I first started writing, I just wrote and hoped something entertaining would come of it. And, something did. It wasn’t awesome, but people liked it.

Then I got further and further along the path of enlightenment. I learned about the Snowflake method, I learned about Outlining, I learned about PLANNING … And then I got pregnant and had a baby (oh, the Outlining learning came after the baby … but, meh, details details), and time to write got ever shorter. And so I got to thinking – it’s not about working harder (I don’t have the time for that), it’s about working smarter. My thinking started to turn towards building up a rock-solid outline, have everything nutted out and planned, so I knew exactly how things would play out, and when I had time to write I could do just that.

But … Continue Reading…

Portrait of Jonas

Jonas Sketch

See, I have this vision of starting up a website where I write my story accompanied by pictures (kind of a graphic novel), and then sell the novel, graphic novel, poster-quality images, etc. to those people who want them. I figure it’s a way of me doing what I want to do and maybe making  a little pocket money from it. In order to do that, though, I need to get a heck of a lot better at drawing – in particular, drawing efficiently.

I hope this picture is a sign that I am on my way. It’s meant to be a representation of what my character, Jonas, might look like.